Fabrice Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, and dozens of other magazines. His photography has been published in The Front Porch Review, the San Pedro River Review and more than 250 other publications.
Tell us about your journey towards literature. What inspired you to write?
For some odd reason writing always come naturally to me. I was noted for the quality of my words when I was in middle school, consistently received the highest marks in every class throughout high-school as well. When I was 16 I was quite bored with school and began to write a novel. It was published then in a small press in Europe. I proceeded to write a few more. Some were slated for publications, others not. I then continued my studies in college and found myself studying literature. I wrote on and off for a while, but three years ago I had a number of poems and a friend suggested that I send them out to see. It has been great ride since, and I continue to work on my writing focusing on poetry.
Tell us about The Chimes.
The Chimes is the Arts and Literature magazine at the Shorter University where I teach. I have been working with the students in the group for four years. My role, and my heart, is in guiding them through the process, and to help them in any way I can. But I do not ultimately tell them what should or should not be published. We work together and produce a print copy here in my little office on my personal equipment. It is a blast.
You are also a photographer. Tell us more.
Photography is something I grew into at the same time as I did into writing. I have done a little but of everything, but again, ultimately it is not about a job, or making ends meet, it is about expression. Photography is another language. Barthes wrote about it beautifully in his book Camera Lucida. The medium must connect, almost grab the viewer in the stomach and bring him/her closer. I travel to photograph everything. As for poetry, it is a matter of when, not so much what? It is also a matter of how and what detail I choose, not necessarily the whole picture. I am more interested in precisionist and the vastness of any landscape, the opening of a horizon line spreading through time and space.
Can you share with us a couple of your poems and the inspiration behind them?
To the grail
It is a symphony of feet in the midst of fireworks and lights;
they come, they go, hesitate, return, turn around, and back;
insane in their indecision, shoes of sports, and pumps of circumstance,
molding unruly ankles, protecting their wiggly toes.
And what do they want these calves, unable to take a moment’s
rest. Wrapped up in silk, enveloped in cotton, even boldly plain?
A door opens, another closes, and again the silly melody;
voices contract, voices retract, while many convey.
A mad world constrained, as in an alley where elbows are at war.
He and she, past, new, with the little one often or a friend,
Maybe. Hustle, bustle, rustle, wrestle also on this hectic morn’;
joy, smiles, laughter, and the flow of plastic into the register.
The deed is done; life begins anew there, elsewhere,
with the sweet aroma teasing the noble nostrils of all lovers;
hands on the wheel of destiny, fortune is theirs,
now that they have earned and secured the holy grail.
To the Grail is a playful one. I wrote it while I was sitting at a coffee shop. I would spend every hour there on one cup of coffee, observing in the delight of others, their rush, their smiles, and the aroma. It was fun to watch their feet as they came and went, moving from one station to another, ordering, collecting, sweetening, sitting down, opening that laptop or arguing about contemporary politics.
Fluttering with your butterflies
The room is vast and empty,
with only she facing the tall glass;
standing she teases her hair once more;
peace seems to surround her.
Still then, she wonders as she dives
into her own soul, tingling inside;
her soft hand touching the womb;
a slight sigh, a smile and a memory.
In the corner, lost in this immensity
of barren walls, a window so far,
a door unattainable; in the distance
solidity fades, colours vanish into oblivion.
Tall, thin, in a light gown of stars and fairy dust,
apparition, a breeze heaves the adored breast,
her hair plays hide and seek behind her lobes,
tickles the shoulders; she tilts her head.
Another brush stroke, the lids wink in the mirror,
she knows the presence is near, tingles again,
her eyes close, the arms press against her sides;
the breath is of pleasure, it is of life, hers, simply.
Fluttering with your butterflies is a love poem, and it includes hints of Quantum Physics (the butterfly effect of course!) She is the muse, the one I want to tease, touch, and move so she will smile because she knows the universe is in love with her.
What themes keep cropping up in your writing? What do you care about?
Would you believe “love?” Aloneness, and the search for absolute Truth. I suppose the latter is very much connected to the theme of “love.” I care about the universe. Corny? cliche? Not sure! We read quite a lot of pointless literature out there. It is rather easy to line up a few words and call it writing. But what does it really mean? Is it vulnerable, accessible? Does the author let you in and claim: “I am here for the taking; hurt me if you have to, but read me, pull me apart, but most all walk away with something personal!’ That is what I need to do, what I hope many would like to do as well. DO I want to be loved through my words? No! Not at all! Known? Yes! Played with? Why not! Nurtured? By all means, so I can grow a thousand miles away in the hearts and souls of complete strangers!
What advice would you give to new poets? Any tips?
Read everything you can. Write as much as you can. Don’t let anyone tell you how to write. Don’t let anyone tell you your work is bad. Don’t let rejection affect you at all. Keep writing to enjoy, to the point where you are addicted to writing (and nothing else!) You will discover so much about yourself, you will become a walking gift to all. Having read this, please do go and write a few lines. Write everywhere, all the time. Get up in the middle of the night if an idea hits you in your sleep. Don’t even let it get away.
Who inspires you and why?
Would it be silly to state that “life” inspires me? In fact it is not so much what, but when? Everything inspires me; what matters is the moment the “inspiration” comes. It could be from a feeling of slight anger, or joy, or a stick on the windshield of my car. The universe is a great question, and I explore it continually. It would be a search for absolute truth. I had this discussion a few days ago with another poet and friend. I know I have a responsibility to the world to write and I must make every effort to do so as often as possible, so readers can be connected to life at a deeper level (hopefully?). I suppose I have a muse, also. A muse need not be a “she,” but in this case, she is. The muse is a woman, or object we cannot touch, only reach out to in the hope of something making contact. Should we touch, the magic would end. I believe Baudelaire would agree.
Tell us about one of the best days of your life.
I don’t have any idea when this was. I have had many great days. But the one I can remember is based on one of self-discovery, and it goes something like this: “The day I became happy is the day I realized I knew nothing!” Things have been great since. I am a sponge to everything around me, for I know I have everything to learn, everyday. I will thus never grow up at all. I hope more people feel this way.
What are you reading at the moment?
I am reading the classics. My latest was Sappho. I know, it is only fragments, but it is so interesting to discover the words of a woman who lived 2,500 years ago, but tells of passions we all carry with us today, and possibly always have. Those are a constant. War or peace are not.
What is next for you? What plans have you got?
More writing, more photography and helping, perhaps even inspire others to do what I do, be better, and enjoy it, not for fame or money, simply for the joy of sharing, making oneself vulnerable to the world, the universe. I enjoy reading about Quantum Physics, and I find that we are all interconnected with everything to infinity. There lies the truth, and that is why I explore what I hope may be the most mysterious realms of our so called realities.
Poetry Drawer: Jagged Little World by Fabrice Poussin
Poetry Drawer: Holding Time In Their Arms by Fabrice Poussin