Poet and travel writer Melissa Davies lives in the North West of England. After embarking on a short career in cancer care, she spent 18 months in 2018 exploring the mountains of Europe and North Africa by bike and on foot before spending the winter of 2018/19 on Sørvær (South Island), one of only a handful of inhabited islands in the Fleinvær archipelago off the Arctic coast of Norway, a place that is described as having as many islets, reefs and low islands as there are days in the year. When she is not travelling, Davies spends her time working with local communities to create collage poems which have been displayed in National Trust woodlands, high street restaurants and shopping centres. The Arctic Diaries is her debut collection.

In her introduction, Davies tells us that all the stories, myths and events referenced in the book belong to the people she met on the island but have been embellished by her own research or her own imagination. The book therefore sits between fact and fiction with every word written having come from the pen of an outsider. More crucially, her aim is to give some of their stories a sense of permanence and a life of their own before the oral traditions of a windswept archipelago are lost forever. A short, helpful guide to Norsk words is included for the benefit of the reader.

Reading this collection, we can almost taste the tang of seaweed at the back of our throats, smell the brine off the sea and catch the scent of juniper everywhere. Living on such a small remote island, ‘a scatter of barely land’, we have a heightened awareness of the weather and the sea, of ‘tarpaulin / slapping wind thick with bursts of sea spray, / ropes jumping waves like hounds restrained’ and ‘currents tearing islands apart’. One of the strengths of this collection lies in the way in which Davies can conjure up a sense of place with just a few well-chosen words. In ‘The Fisherman’s Wife Collects Books’, for example, the Arctic archipelago becomes ‘this place of moss and juniper, amber skies / melting into pools of kelp and always those coils of blue rope’. Some of her images stay in the mind too, such as this one, from the same poem, where she imagines sending a book through the post to the fisherman’s wife:

                           The cover is thin,
cheap print that feels like slightly more than another page.
It won’t travel well. Waves of damp will swell each leaf
while it waits out weather in her post box over the sound.

The poems in this collection are populated by sea-monsters, fisher folk, lookout men, otters, sheep, sea eagles and curlews. Despite the empty spaces, there is plenty going on: everything from scaling fish to emptying crab pots.

While the inhabitants collect feathers and fish bones, Davies collects stories which are just half-glimpsed at when read between the lines: stories of people disappearing without trace and then just as mysteriously reappearing, imprisonment by a freak tide, a tale of a sunfish pulled from a hat or the sudden discovery of a jawbone found on a beach with all its teeth intact: isolated incidences from insular communities dredged up from the past.

For me, the centrepiece of this collection was ‘Vanishing Act’. It speaks powerfully about the need to preserve something, a way of life, perhaps, before it is gone forever. Here are the opening lines:

How can you know what it is like to lose
your magic? When surviving here was an act
set up by fishermen with no view beyond the sea.
Their rope frays between your fingers
until a single thread holds your whole animal
reason to continue.

In this collection, which is beautifully illustrated by Natasha Emily Lynch, Davies brings us a snapshot of island life in one of the most remote communities in Norway. This is a book where folklore, poetic imagination, dialect and language come together in lines that are as powerful as a storm force wind.

You can find more of Neil Leadbeater’s reviews here on Ink Pantry.

Neil Leadbeater was born and brought up in Wolverhampton, England. He was educated at Repton and is an English graduate from the University of London. He now resides in Edinburgh, Scotland. His short stories, articles and poems have been published widely in anthologies and journals both at home and abroad. His publications include Librettos for the Black Madonna (White Adder Press, 2011); The Loveliest Vein of Our Lives (Poetry Space, 2014), Finding the River Horse (Littoral Press, 2017), Punching Cork Stoppers (Original Plus, 2018) River Hoard (Cyberwit.net, Allahabad, India, 2019), Reading Between the Lines (Littoral Press, 2020) and Journeys in Europe (co-authored with Monica Manolachi) (Editura Bifrost , Bucharest, Romania, 2022). His work has been translated into several languages. He is a member of the Federation of Writers Scotland and he is a regular reviewer for several journals including Quill & Parchment (USA), The Halo-Halo Review (USA), Write Out Loud (UK) and The Poet (UK). His many and varied interests embrace most aspects of the arts and, on winter evenings, he enjoys the challenge of getting to grips with ancient, medieval and modern languages.