Hello Tom. You’ve recently released a new book entitled A Murder of Crowe: Something Wicked. Could you share some information on this novel please and where the original inspiration came from for the characters and storyline?
Good to hear from you and thank you for reading my book! I hope you enjoyed reading it as much as I enjoyed writing it. Well it’s actually a sequel! It’s the second book in a series that I’ve started writing about the titular detective, Maximus Crowe. I knew how to finish the first book but I wasn’t sure how to get to the conclusion,, but my mind was bursting with ideas for future novels so I decided to write the sequel then go back and finish the first which will be coming your way soon! Whilst writing Something Wicked I was careful not to give away any serious spoilers for the first book which I suppose in terms of plot function will be a bit like the Star Wars prequels, minus Jar-Jar Binks of course.
Growing up, who were/are your literary heroes and biggest sources of inspiration? Also, what additional authors became endeared to you during your time at Liverpool Hope University, whilst undertaking your BA in English Literature?
As a small boy I thrived on the works of the Brothers Grimm which all children are introduced to via Disney of course. I read the original fairy tales via the Folio Society. Growing up I read Bram Stoker, Mary Shelley, Edgar Allan Poe, Joan Aiken, C. S. Lewis, J. R. R. Tolkien, Robert Louis Stevenson and naturally Roald Dahl, without which any childhood is incomplete and needless to say the same goes for J. K. Rowling. I read Gormenghast by Mervyn Peake when I was nine and around the same time became interested in many of the books already gathering dust on the family book shelves. I read Le Morte d’Arthur and also The Woman in Black and eventually found my way to the works of Arthur Conan Doyle. I enjoyed Sherlock Holmes and The Hound of the Baskervilles was an influence on my book, given the slight supernatural element and the fact that it takes place in the countryside, away from the city of London, which is the detective’s normal hunting ground.
At Liverpool Hope, my passion for the Brothers Grimm and Edgar Allan Poe was rekindled and I read a lot more of his work, including his ratiocinative tales. I tried to channel some of his dark humour and his talent for the macabre into Something Wicked. I also discovered Angela Carter and Truman Capote whilst at university, both of whom I became very fond.
Where is/are your usual, or favourite, writing location(s), Tom? Also, when making notes for literary projects, is your usual tool a pen/paper or a computer keyboard?
I write via the laptop in my dining room, usually accompanied by a pot of tea in the day or a bottle of wine in the evening! I have a separate folder where I write down notes or possible future scenes for whatever book I’m writing. I first started writing when I was thirteen and it’s a habit I’ve kept up since then. If I have an idea out in a café or bar or at a family member or friend’s house where I can’t access a computer, I’ll commit it to memory and hold it in the corner of my brain like a squirrel storing nuts in its cheek for the winter!
You’ve worked in various jobs where you have close contact with the general public. Has this been a rich source of creative inspiration with your writing? Are you a people watcher?
Sometimes, occasionally, but generally speaking I try not to be voyeuristic. Whenever I’m writing a scene featuring a character who will not be significant to the plot, such as a member of staff or passer-by, I try to make them memorably eccentric or at least recognisable as the kind of person whom one would encounter in day-to-day life. If it’s a bank-clerk or shopkeeper, base them either on a charming, funny or difficult and annoying person whom you’ve met in that capacity. It would be so easy to just say “a man” or “a woman” and have them say their lines as though reading off a script, but so much funnier or at least less turgid to make them a person whom you may recognise from your day-to-day life. My main characters are, of course, far too fantastical to be based on anyone I know!
Aside from writing, are you drawn towards any other forms of creativity, such as music or art? What do you do to relax you within life, to move you away from everyday stresses?
I enjoy listening to music and paintings and try to incorporate as many forms of art into my books, either as inspiration for characters or scenarios, or just for characters within the narrative to look at and relate to the plot. It adds to the scenery in one’s imagination and turns the book into a more aesthetic, and indeed, mentally cinematic experience. Nevertheless, I have no talent for painting and still less for music, though I still appreciate both art-forms. In order to relax in life, I’m drawn to the usual stuff; reading, film-watching, secretly plotting to take over the world, cooking, gardening, psychology, philosophy, long walks and getting into lengthy, passionate arguments with mirrors and inanimate objects, either at home or in public. You know, normal stuff.
Thank you for sharing your insights, Tom. To conclude, could you share some thoughts on present & future creative projects? What does 2017 and 2018 hold in store for you?
Well the prequel to Something Wicked will be headed your way very soon as indeed will the sequel. A Murder of Crowe is going to be part of a fairly lengthy series which has all been planned. And to quote Bette Davis, “Fasten your seatbelts!”